Beware, Creatures; Photoshop; 2022
I like this Photoshop creation the best because I managed to convince my teacher and my class that the truck that I added was a part of the original image. I also like it because it is so unrealistic. And because riding on the truck like that would make me really tall.
Breath of the Wild Poster; 2022; Illustrator
This is my favorite Illustrator work because I spent 17 hours on this work. The castle silhouette is as accurate as I could make it, as well as the various pieces of equipment Link is carrying, which includes the Master Sword, Knight Bow, Hylian Shield, and Paraglider. The geography is also accurate-ish, since I put trees where trees were and rocks where rocks were. Unfortunately, I could not do Castle Town, but oh well.
The Cown; Premiere Pro; 2/1/2023
This is my favorite video I made this year because the topic is so ridiculous. Since obviously everybody is irritated by the fact that their cup successfully holds liquid, this is the obvious solution to this problem. I also knew how to use Premiere Pro efficiently by then, so this project was quick and easy to complete. I also planned this out and videoed the content at home prior to class so that I could use my time wisely. I also had a script written, which let me properly read out the lines without stumbling.
Snowman Melting; Animate; 3/26/2023
I'm proud of this animation because it was the first one I did without any outside help. I especially love how I made the snowflakes fall, since that was a new skill for me and I properly remembered how to do it. I also successfully masked the scene on three separate items, so that was a stretch for me and I succeeded.
Surface Modeling Field; 3ds Max; 5/3/2023
This is my favorite 3ds Max work so far because it has various colors. I just like how it looked at the end and it was a project that didn't have the final result already decided before the project was even started, so I liked the creativity I could have when designing my field and the positioning of my items.
All works on this website are original and are not for use without permission from the artist.
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Ⓒ 2022, A. Mead
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